Art

Displacement

A lasercut woodblock print depicting mother earth sleeping while a cycle of deforestation and gentrification happens on her surface.

Natural Glitches

Natural Glitches is a sculptural installation exploring the structures of viruses, protozoans and their tendency to create glitches within themselves and their surroundings. Starting out as glitches in a 3D-modeling software, these forms were…

Constructing Nature Print Series

Constructing Nature is an abstracted woodblock series about the balance between the natural and constructed worlds. The work utilizes the idea of “building blocks” in reference to…

An Irrepressible Twist Print Series

An Irrepressible Twist is a print series that explores human connection and pokes fun at the seriousness of traditional portraiture through the use of repetition, humor and process. This is achieved by focusing imagery on a singular person’s interests such as llamas, corn, or cacti and dramatically changing the scale. These monotypes were created by combining intaglio collagraphs with lithography or relief techniques to create unique textures, color combinations…

Alternative Geologies Print Series

Rocks hold slices of time. They are a historical record of events that go further back than our oldest civilizations, and they have experienced planetary changes…

Constructed Collections Print Series

This series explores fragmentation and the ideas associated with a collection. By breaking my intaglio printmaking plates into fragments and organizing them into a composition reminiscent of a collection; specimens emerge, fracture, and visually undergo the beginning stages of sedimentation.

Alternate Landscape Collective Installation

This installation of prints and collages started by exploring the deconstruction and reconstruction of environments. By breaking my printmaking plates into fragments and collaging them with found objects…

Museum Item #15773 Book

Museum Item #15773 is a risographed book that examines the permanence of some of my artistic failures through humor, specimen logic, and a futuristic context. I try to come to terms with the consequences of material permanence through a narrative that takes place 500 years in the future where archeologists are conducting digs through landfills…

Faux Rock Collection

The Faux Rock Collection is a mass producible geological collection that can act as an aesthetic substitute in a dystopian future where there is nothing left to extract. I use everyday materials to embrace the man-made quality of the forms. The remnants of these materials in which some of the pieces are cut out of…

Extraction Print Series

Humans are an eroding force. We physically shape the Earth to retrieve precious remnants held deep within our planet’s crust. Within my prints, I have been separating landscapes into segments based off of geological diagrams…

Acadia Artificial Forest Installation

I have been interested in exploring my personal relationship to nature though the creation of a 6’ x 6’ artificial forest using recycled materials. This artificial forest serves two purposes. First, is it possible to recreate the calming, isolating, and immersive headspace I feel while being out in the woods? And second, what would an artificial forest created hundreds of years in the future after all the trees were cut down look like…

Landscape Understructure

These understructures of my futuristic landscapes function as aesthetic experiences that place the definition of landscape into question and how we examine the environment as a larger system through an ecological blend of the virtual and physical realms.

Futuristic Landscape Propositions

The year is 2213. Earth is no longer habitable due to the long lasting effects of climate change. Humans have always been an eroding force, physically shaping the landscape to retrieve precious remnants held deep within the planets crust. This eroding tendency is still present as humans are in search of a new home, one that blurs and transplants traditional Earth landscapes with alien digital worlds.